Colorado Dance Festival Records
The Colorado Dance Festival was organized in 1978 as a dance film series under the umbrella of the Boulder Dance Alliance. Founder Marda Kirn served as artistic director in 1978. In 1980 the film series was renamed the Independent Boulder Dance Festival. The name was again changed in 1982 to the Colorado Dance Festival, and featured workshops, classes and performances. The festival spearheaded the American tap dance revival. Unable to finance further seasons, the festival closed in 2001. Photographs include a series of action stills featuring Blondell Cummings with Keith Terry; Eiko and Koma images as well as David Dorfman Dance. The collection includes publicity and production photographs used for performer biographies in programs and as publicity for performances during the Colorado Dance Festivals held in Boulder, Colorado. The photographs concentrate on modern dance, but also include outreach and social events sponsored by the festival.
- Colorado Dance Festival (Organization)
65.75 Linear Feet (63 containers)
Scope and Contents
Biographical / Historical
The Colorado Dance Festival began as a dance film series under the aegis of the Boulder (Colorado) Dance Alliance in 1978. Marda Kirn was its founder and artistic director for many years. By 1980 the film series became the independent Boulder Dance Festival, a week of classes and performances funded by grants and donations, and using facilities at the University of Colorado. Renamed the Colorado Dance Festival soon after, the enterprise gained a national reputation for presenting new, young performers and companies. During subsequent seasons the festival expanded to a full month of workshops, classes, and performances in a variety of venues. The Colorado Dance Festival was a pioneer in spearheading the American tap dance revival. A legendary 1986 presentation at the Casino Cabaret in Denver’s Five Points (the city’s traditional hub of African-American identity and culture) called “The Great Tap Reunion” presented dancers Eddie Brown, Charles “Honi” Coles, Steven Condos, Jimmy Slyde, and Gregory Hines. A later festival offered some of the younger greats of the genre including a young Savion Glover. The International Tap Association grew out of this impetus and continues to publish a magazine devoted to tap dance aficionados. A performance in 1988 of Robert Davidson’s “Meister Eckhart” introduced audiences to the potential of “aerial dance,” that is, the use of low-flying trapeze technique as a legitimate facet of dance. In the wake of September 11, 2001, the festival was unable to finance further seasons and folded. The Carson-Brierly Dance Library received all the festival’s office files in spring 2002 including its photography archive.
Immediate Source of Acquisition
- Description rules