Skip to main content

Sets (Theatrical)

 Subject
Subject Source: Art & Architecture Thesaurus
Scope Note: Refers to the assemblage of scenery, props, and lighting and sound systems created to represent a setting used in a dramatic performance, whether indoors or outdoors.

Use this AAT term on Archival and Digital Objects; for Resources, use subdivided LCSH term: Theaters -- Stage-setting and scenery

Found in 27 Collections and/or Records:

Box 33: Scenery Plans - The Music Man, 1962

 File — Box U100.0033: Series U100.04 [Barcode: U186018628430]
Identifier: U100.04.0033
Abstract

"Complete set of Scenery Plans" - Theatre Production The Music Man, 1962. 18 sheets, rolled.

Dates: 1962

Box 34: Settings - The Merry Widow, 1960

 File — Box U100.0034: Series U100.04 [Barcode: U186018628448]
Identifier: U100.04.0034
Abstract

Stage settings for Theatre Production The Merry Widow, 1960. 16 sheets - Acts 1, 2, and 3.

Dates: 1960

Box 35: Settings - South Pacific, 1963

 File — Box U100.0035: Series U100.04 [Barcode: U186018628422]
Identifier: U100.04.0035
Abstract

Stage settings for Theatre Production South Pacific, 1963. 43 sheets.

Dates: 1963

Box 37: Prop - The Hanging Judge

 File — Box U100.0037: Series U100.04 [Barcode: U186018621802]
Identifier: U100.04.0037
Abstract

Large rope used as prop in production in Theatre Production The Hanging Judge (previously titled Inevitable Hour) written by DU prof. Russell Porter.

Dates: 1934-2000

Box 410: Central City Set/Costume Designs, Large, A-K, 1932 - 1948

 File — Box M123.0410: Series M123.06 [Barcode: U186023301873]
Identifier: M123.06.0410
Abstract

Set/Costume Designs on poster board for Central City Opera House Productions: Abduction from Seraglia (1946)(7), The Barber of Seville (1941)(2), Camille (1932)(1), Cosi Fan Tutte (1948)(2 total - 1 Costume Design), The Gondoliers (1936)(7).

Dates: 1932 - 1948

Box 411: Central City Set/Costume Designs, 1932 - 1941

 File — Box M123.0411: Series M123.06 [Barcode: U186023301881]
Identifier: M123.06.0411
Abstract

Set/Costume Designs for Central City Opera House Productions: Unknown (2), Fidelio (1), Othello (1934)(4 Costume Designs), The Barber of Seville (1941)(3 Set Designs), Orpheus (1941)(3 Costume Designs, 2 Set Designs), Camille (1932)(6 Costume Designs), The Gondoliers (1936)(2 Set Designs).

Dates: 1932 - 1941

Box 412: Central City Set/Costume Designs, Large, L-Z, 1932 - 1952

 File — Box M123.0412: Series M123.06 [Barcode: U186023301899]
Identifier: M123.06.0412
Abstract

Set/Costume Designs on poster board for Central City Opera House Productions: La Boheme (1952)(1), The Lady of the Camillias (1932)(3), Othello (1934)(9), Ruy Blas (1938)(3), Tales of Hoffman (1).

Dates: 1932 - 1952

Container 11, 1967

 File — Frame B333.0011: Series B333.09 [Barcode: U186023261340]
Identifier: B333.09.0011
Abstract

Framed set panel for "Sound of Music," which was performed at Cheesman Park. Scene is when the family is perfoming "Edelweiss" in concert near the end of the play.

Dates: 1967

Education, 1954-1967

 Series
Identifier: D086.02
Scope and Contents

This series contains coursework, clippings, scene designs, and programs from Sandra's education from high school and UCLA.

Dates: 1954-1967

"Hadrian VII" Scene Panel, 1964

 Item
Identifier: B333.09.0009.00001
Scope and Contents

Framed gouache watercolor painting, with pencil sketch visible underneath paint, of five scenes from "Hadrian VII." All five have a solid black backdrop with minimal set furnishings. Scenes include a room, altar, man knelling before a cardinal, throne with banner, candlesticks and railings and the same candlesticks and railings without the banner and throne chair. Sticker on the back of frame says "Panel 5." Also included is a mounted photograph from a production.

Dates: 1964