Photographs
Found in 12929 Collections and/or Records:
Peggy Ann Garner and Albert Salmi in 'Bus Stop', 1955
Peggy Ann Garner as Cherie and Albert Salmi as Bo Decker in the 1955 Central City production of 'Bus Stop.'
Peggy Ann Jones
Portrait of Peggy Ann Jones, a mezzo-soprano singer who performed with the Central City Opera in the 1968 production of "Iolanthe."
Peggy Ann Jones in an Unidentified Produciton
Peggy Ann Jones, a mezzo-soprano singer who performed with the Central City Opera in the 1968 production of "Iolanthe", appears in an unidentified production.
Peggy Ann Jones in ''Iolanthe'', 1968
Peggy Ann Jones, a mezzo-soprano singer who performed with the Central City Opera, appears in the title role in the 1968 opera ''Iolanthe.''
Peggy Ann Jones Negative Sheet
Portrait of Peggy Ann Jones, a mezzo-soprano singer who performed with the Central City Opera in the 1968 production of "Iolanthe."
Peggy Cass
Portrait of Peggy Cass, a performer who worked with the Central City Opera in the 1960 production of "A Thurber Carnival."
Peggy Cass and Frank Ricketson, 1960
Black and white photograph of CCOHA board president, Frank Ricketson Jr. with performer Peggy Cass during the 1960 festival season in which the production 'A Thurber Carnival' was done at the Central City Opera House.
Peggy Cass and Paul Ford, 1960
Black and white photograph of CCOH performers Paul Ford and Peggy Cass who performed in the 1960 festival season production of 'A Thurber Carnival' at the Central City Opera House.
Peggy Feldman and a Friend Make Faces, 1989
Peggy Feldman and a friend stick their tongues out at the camera. The photo was sent to Peggy Feldman by Annie Dillard. It was tucked into Peggy Feldman's 1989 appointment book. The book is comprised mostly of dated pages recording Feldman's day to day appointments. Much of the writing is in the style of journal entries, and there are some loose pages, correspondence, and more photos tucked into the book.
Peggy Feldman, Appointment Book, 1989, 1989
Peggy Feldman's 1989 appointment book. The book is comprised mostly of dated pages recording Feldman's day to day appointments. Much of the writing is in the style of journal entries, and there are some loose pages, correspondence, and photos tucked into the book.