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Photographs

 Subject
Subject Source: Library of Congress Genre/Form Terms
Scope Note: DU scope note: Use for objects that actually are photographic prints on light-sensitive paper, or scans of photographic negatives or prints. For for originals, copies and scans of transparencies and slides, use: Slides (Photography) (lcsh). For works ABOUT photographs (diaries, logs, instructions, criticism, ...) use Photographs (lcsh).

AAT scope note: Refers to still images produced from radiation-sensitive materials (sensitive to light, electron beams, or nuclear radiation), generally by means of the chemical action of light on a sensitive film, paper, glass, or metal. It does not include reproductive prints of documents and technical drawings, for which descriptors found under "

Found in 12882 Collections and/or Records:

'The Face on the Barroom Floor'

 Item
Identifier: M123.03.0076.0003.00002
Abstract

Photograph of the face on the bar room floor painted by Herndon Davis in 1936. Davis was commissioned by the Central City Opera House Association to paint a few works for properties around Central City, Colorado. Painting is based on the poem by Hugh Antoine D'Arcy but is actually of Edna Juanita (Cotter) Davis, Herndon's wife.

Dates: 1950-1969

'The Face on the Barroom Floor'

 Item
Identifier: M123.03.0076.0003.00003
Abstract

Photograph of the face on the bar room floor painted by Herndon Davis in 1936. Davis was commissioned by the Central City Opera House Association to paint a few works for properties around Central City, Colorado. Painting is based on the poem by Hugh Antoine D'Arcy but is actually of Edna Juanita (Cotter) Davis, Herndon's wife.

Dates: 1950-1969

'The Face on the Barroom Floor'

 Item
Identifier: M123.03.0076.0003.00004
Abstract

Photograph of the face on the bar room floor painted by Herndon Davis in 1936. Davis was commissioned by the Central City Opera House Association to paint a few works for properties around Central City, Colorado. Painting is based on the poem by Hugh Antoine D'Arcy but is actually of Edna Juanita (Cotter) Davis, Herndon's wife.

Dates: 1950-1969

'The Face on the Barroom Floor'

 Item
Identifier: M123.03.0076.0003.00005
Abstract

Photograph four unidentified affiliates looking at the face on the bar room floor painted by Herndon Davis in 1936. Davis was commissioned by the Central City Opera House Association to paint a few works for properties around Central City, Colorado. Painting is based on the poem by Hugh Antoine D'Arcy but is actually of Edna Juanita (Cotter) Davis, Herndon's wife.

Dates: 1950-1969

'The Face on the Barroom Floor'

 Item
Identifier: M123.03.0076.0003.00006
Abstract

Photograph of the face painted on the bar room floor by Herndon Davis in 1936. Davis was commissioned by the Central City Opera House Association to paint a few works for properties around Central City, Colorado. Painting is based on the poem by Hugh Antoine D'Arcy but is actually of Edna Juanita (Cotter) Davis, Herndon's wife.

Dates: 1950-1969

The Figure in the Carpet

 Item
Identifier: D002.01.0003.0094.00009
Abstract

The New York City Ballet ensemble performs in Geroge Balanchine's ''The Figure in the Carpet.''

Dates: Date Unknown

The Figure in the Carpet

 Item
Identifier: D002.01.0003.0094.00010
Abstract

The New York City Ballet ensemble performs in Geroge Balanchine's ''The Figure in the Carpet.''

Dates: Date Unknown

The Figure in the Carpet

 Item
Identifier: D002.01.0003.0094.00011
Abstract

The New York City Ballet ensemble performs in Geroge Balanchine's ''The Figure in the Carpet.''

Dates: Date Unknown

The Figure in the Carpet

 Item
Identifier: D002.01.0003.0094.00012
Abstract

The New York City Ballet ensemble performs in Geroge Balanchine's ''The Figure in the Carpet.''

Dates: Date Unknown

The Figure in the Carpet

 Item
Identifier: D002.01.0003.0094.00013
Abstract

The New York City Ballet ensemble performs in Geroge Balanchine's ''The Figure in the Carpet.''

Dates: Date Unknown