Loewenstein, Maria (Marie Lilli Margarete), 1894-1982
Marie [Maria] Lilli Margarete Bätge, b. Tallinn, m. Herr Steinberg, had one daughter, Karin M. Steinberg; then m. Dr. Max Israel Löwenstein (later Max Israel Loewenstein) in 1925; their son Ernst Heinrich Löwenstein (later Henry Lowenstein) b. July 4, 1925 was sent from Berlin to to England on the Kindertransport in 1939; the rest of the family emigrated to the United States in 1946, where they were joined by their son in 1947. __ __ __Her birth and baptismal certificate : B333.02.0001.0002.00007 (Marie Lilli Margarete Bätge, b. Reval, 1894 am 27 Marz am 1o Uhr morgens) Her certificate of marriage to Max Israel Loewenstein : B333.02.0001.0002.00009 (Marie Lilli Margarete Steinberg, m. 1925) Certificate of Identity : B333.06.0001.0006.00001.00001 (maiden name Marie Betge, b. Reval, Estonia, April 9, 1894) Her International Rescue and Relief Committee ID card, 1946 : B333.06.0001.0006.00008 (Maria Loewenstein) Lowenstein Family Holocaust Exhibit Booklet, 2009 : B333/07-0001.0007.00001 (Maria Loewenstein )
Found in 10 Collections and/or Records:
Scope and Contents Contains handwritten and typed lists of the prices and sizes of Maria Lowenstein's art. Also a late 1960s or 1970s resume of Maria's shows and a 1978 thank you note from Channel 6 for Maria's donation to their art auction.
Scope and Contents Contains exhibit publicity flyers, announcements and receipts of Maria Lowenstein's art exhibits. Also a record of her donating to the Johnson-Humphrey Presidential Campaign fundraiser "Artists for Johnson-Humphrey" Auction.
Scope and Contents Box contains one acrylic painting by Maria Lowenstein, done while she was living in Denver. Painting is of six figures, all with head coverings, grouped together. Three figures on the top appear female while the two figures on the lower left appear male. On the center right is a figure whose face is covered by their hands. Artist signature "Maria" in bottom left corner. The work is done is a cubist style using mostly shades of blue with some red and cream colored accents and black outlines. The...
Scope and Contents Contains information on the paintings and frame orders for several exhibits in 2013 and photographs of some of the paintings. There is also a CD with some images of paintings. Photographs were done by Bob (Robert) Zimmerman.
Overview Folder contains lists of painting titles for two separate exhibits featuring Maria Lowenstein and a photocopy of an exhibit publicity card for the April 1981 Retrospective exhibit. Also included are insurance values for Maria Lowenstein's art displayed at the Governors Reception, Denver Art Museum April 30, 1984.
Scope and Contents File contains exhibit planning notes relating to timeline and tasks, images of paintings, and information on paintings, such as title, dimension, medium and price, for the "Honoring the life and art of Maria Lowenstein" at the Niza Knoll Gallery. An unsigned copy of the exhibit and consignment agreement and the rules and regulations of the gallery as well as printed cards and fliers for the exhibit and a gallery business card are included.
Scope and Contents Contains photographs and negatives of Maria Lowenstein's paintings and possibly paintings from Maria's art classes. Two photographs have children pictured by paintings- possibly Maria's grandsons. Originally titled "Art Classes and Painting Photographs" because it was in an envelope titled as such upon donation. However there are no classes in the pictures and the paintings all seem to be Maria's.
Scope and Contents Box contains one acrylic painting by Maria Lowenstein, done while she was living in Denver. Painting is of buildings with a red three-story and a cream colored two-story building in the foreground with tops of buildings in the distance. Artist signature "Maria" in bottom left corner. The work is done is a cubist style using shades of blue, red and cream with black outlines. The paint is on a textured surface. Appears as though cheesecloth was stretched over surface before paint was applied....
Dates: circa 1960