Skip to main content

Photographs

 Subject
Subject Source: Library of Congress Genre/Form Terms
Scope Note: DU scope note: Use for objects that actually are photographic prints on light-sensitive paper, or scans of photographic negatives or prints. For for originals, copies and scans of transparencies and slides, use: Slides (Photography) (lcsh). For works ABOUT photographs (diaries, logs, instructions, criticism, ...) use Photographs (lcsh).

AAT scope note: Refers to still images produced from radiation-sensitive materials (sensitive to light, electron beams, or nuclear radiation), generally by means of the chemical action of light on a sensitive film, paper, glass, or metal. It does not include reproductive prints of documents and technical drawings, for which descriptors found under "

Found in 12844 Collections and/or Records:

Call, David

 File
Identifier: D002.01.0001.0079
Abstract

Portrait of David Call, principal dancer at American Ballet Theatre.

Dates: Date Unknown

Callaway, Craig

 File
Identifier: D002.01.0001.0080
Abstract

Photograph of dancer Graig Callaway performing in ''Moment to Moment.''

Dates: Date Unknown

Calvin Marsh, 1958-1964

 Item
Identifier: M123.03.0055.0012.00001
Abstract

Portrait of Calvin Marsh, a baritone opera singer from the Metropolitan Opera who performed with the Central City Opera from 1958-1964 in various performances; As Don Pedro in the 1958 production of 'La Perichole,' and as Silvio in 'I Pagliacci,' and as Alfio in 'Cavalleria Rusticana' that same year, in 1961 as Georges Germont in 'La Traviata,' and as Belcore in 'The Elixir of Love,' and in 1964 as Sharpless in the production 'Madame Butterfly.'

Dates: 1958-1964

Calvin Marsh, 1958-1964

 Item
Identifier: M123.03.0055.0012.00002
Abstract

Portrait of Calvin Marsh, a baritone opera singer from the Metropolitan Opera who performed with the Central City Opera from 1958-1964 in various performances; As Don Pedro in the 1958 production of 'La Perichole,' and as Silvio in 'I Pagliacci,' and as Alfio in 'Cavalleria Rusticana' that same year, in 1961 as Georges Germont in 'La Traviata,' and as Belcore in 'The Elixir of Love,' and in 1964 as Sharpless in the production 'Madame Butterfly.'

Dates: 1958-1964

Campus - Civic Center Campus

 File
Identifier: U201.01.0137.0005
Abstract

Black and white prints and color prints related to the old Civic Center Campus at the University of Denver.

Dates: 1793-2009

Campus - Early Buildings, 1890-1970

 File
Identifier: U201.01.0136.0034
Abstract

Black and white contact sheets and prints of early buildings on the University Park campus at the University of Denver, especially University Hall and the Iliff School of Theology building.

Dates: 1890-1970

Campus - Early Buildings, 1890 April 3

 Item
Identifier: U201.01.0136.0034.00001
Abstract

The contact sheet depicts images of the groundbreaking for the University Hall, at the University of Denver, on 4/3/1890.

Dates: 1890 April 3

Campus - Humanities Garden + Building, 1965

 File
Identifier: U201.01.0137.0006
Abstract

Black and white prints related to the University of Denver campus, including the construction and dedication of the Harper Humanities Garden.

Dates: 1965

Campus Issues, circa 1965

 Item
Identifier: U201.01.0132.0011.00001
Abstract The image depicts multiple unidentified individuals discussing campus issues, affiliated with the University of Denver, circa 1965. Two of the individuals have their back to the camera and appear to be addressing the group. Others appear to be holding microphones up to the individuals with their backs to the camera. One individual in the group is holding a sign that says: "support Chancellor Mitchell." On the very right edge of the image an state trooper or police officer is standing at...
Dates: circa 1965

Campus Issues

 Item
Identifier: U201.01.0132.0011.00002
Abstract

The image depicts an unidentified speaker speaking to an unidentified audience at the University of Denver's basketball court, discussing unknown campus issues under the United States of America flag, undate. Three people in the audience appear to be holding signs. One sign reads "One dies every five minutes STOP!" and contains a hand drawn image of a bomb. The other signs are illegible.

Dates: 1977-1981